• Macklemore Announces ‘Free Palestine’ Tour for October
• Zara Larsson Cancels Abu Dhabi Concert in Solidarity with Sudan 
• All Supporting Acts Withdraw From Ed Sheeran’s Tour in Solidarity With Palestine
• BLTNM & Stereo Expand Political Commentary Through ‘Rad Saree3’
• Def Jam lands in North Africa
• Massive Attack give the stage to Arab Barghouti
• Aswatna builds the infrastructure Palestinian artists lack
• EXIT brings Starlight Festival to the Pyramids
• Bader remixes ‘Libya on Speed’ eight ways
• Hany Farahat shows how a score gets built
• Director X on making work nobody asked for
• Channel 4+ announces the programme for Egypt’s first music summit
• XP Music Futures sets its 2026 dates
• Omar Gangster steps out from behind the boards on ‘21’
• Adam Port plays the Salah El Din Citadel
• Eddisco is Tunisia’s only record store for diggers
• What the Sabrina Carpenter zaghrouta moment actually revealed
• Greentea Peng documents the aid work behind the music

• Macklemore Announces ‘Free Palestine’ Tour for October
• Zara Larsson Cancels Abu Dhabi Concert in Solidarity with Sudan 
• All Supporting Acts Withdraw From Ed Sheeran’s Tour in Solidarity With Palestine
• BLTNM & Stereo Expand Political Commentary Through ‘Rad Saree3’
• Def Jam lands in North Africa
• Massive Attack give the stage to Arab Barghouti
• Aswatna builds the infrastructure Palestinian artists lack
• EXIT brings Starlight Festival to the Pyramids
• Bader remixes ‘Libya on Speed’ eight ways
• Hany Farahat shows how a score gets built
• Director X on making work nobody asked for
• Channel 4+ announces the programme for Egypt’s first music summit
• XP Music Futures sets its 2026 dates
• Omar Gangster steps out from behind the boards on ‘21’
• Adam Port plays the Salah El Din Citadel
• Eddisco is Tunisia’s only record store for diggers
• What the Sabrina Carpenter zaghrouta moment actually revealed
• Greentea Peng documents the aid work behind the music